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He is playing into the world of glamour and fame, to get his name out there, to spread his thoughts and music, but he knows he must be careful not to be consumed by it. I believe this is about how James thinks of what he's doing at that time in his life. General CommentWell, I partially agree with some of the comments here, but here's what I think. I dunno, just thought that it was interesting that he sang that in concert! Or that he is out of his mind and really doesn't want to think at all anymore. It almost leaves it open to speculation, like if he doesn't know then who does? you know. That maybe he doesn't know where his life is heading, or why the music industry is treating him like this. I thought i should post it, cause it kinda puts a spin on to it. Which is making reference to the song telling you to "hold his eye and see what it means". it was really quite funny cause he made the audience do the dada dadaduhdaduh part over and over again, and then he kept just radomly throwing in "I'm out of my mi-nd" with his eyes all bugged out and creepy smile on, like he really was out of his mind.īut anyways, in the concert at the end he kept repeating "I don't know what it means" or "even I don't know what it means" or somthing along those lines. General CommentWhen I was in concert and he was singing this song it was awesome. Won't you be a friend of mine to remind me what is real?
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We all need a pantomime to remind us what is real.īut I won't be your concubine I'm a puppet not a whore. He's waiting for the day when he gets me,īut I don't need no alibi - I'm a puppet on a string. It's touching that the monkey sits on my shoulder. He'll judge me by the fact that my face don't fit. That song – and the album from which it's taken – went on to sell more than 3m copies in the UK.Judging by the look on the organ-grinder,
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It didn't crack the UK albums chart until the following year, when radio plays of You're Beautiful drove the maudlin ballad deep into Britain's collective consciousness. When Back to Bedlam was released in 2004, first-week sales were just 482. Putting the list into further perspective, Susan Boyle's recent (albeit record-breaking) debut is already at number 56.įor better and for worse, Blunt gets to have the smuggest grin on his face. Williams is also the artist with the most albums – five – in the noughties' top 100. Eminem also topped the Americans' 10 year sales list, edging out the Beatles. The former Take That singer sold 12.18m albums between 1 January 2000 and 26 September 2009 (when data was last tabulated), followed by Westlife at 10.14m, Coldplay at 9.12m and Eminem at 8.01m. Counting across releases, and including back-catalogue sales, according to Music Week the trophy belongs to Robbie Williams. While James Blunt has every reason to celebrate, he was not in fact the decade's most successful act. In Britain, however, the Fabs only came in at number six with the rest of the UK's top 10 filled by Leona Lewis, David Gray, Coldplay, Scissor Sisters, Take That, and one more Dido record. In the United States, Americans had the decency to make the Beatles' compilation disc, 1, top of their 10-year chart. Blunt's 2004 debut, seen by some as an easy-listening masterpiece, by others as a banal and soppy travesty, beat out Dido's No Angel and Amy Winehouse's Back To Black to be named the noughties' most successful release by the Official Charts Company. The markets will crash, the seas will rise, and the Four Horsemen will surely approacheth, because it's official – James Blunt's Back to Bedlam was the UK's bestselling album of the decade.